My work is influenced visually by abstract expressionism and modernism, and conceptually by the major social change movements of the last sixty years. Click images for a larger view.

Jewish Female Unwrapped

Alabaster, mixed media
h 14" w 30" d 23"

2008

Shall We Fight or Dance

Rhododentron, pine, yellow barberry, stains
h 5' x 9'10" w x 4'6" d

2008

Chair Series

Chairs whisper to me; they evoke ideas and memories. Chairs shape inter-actions between people; they have their own power. Most of us have had a favorite chair somewhere in our lives. Each of these chairs was inspired by a found object or material.

promise

found chair, twigs, fiber, paint
h 31" w 39" d 40"

2006

 

tree chair

crone

oak, cherry, birch, walnut
h 51" w 25" d 23"

This is functional sculpture, recreating the experience of sitting in a tree, bark under your fingers. 2006

 

‘mad’ housewife

mixed metals, found objects
h 39" w 21" d 21"

The experience of being a wife in a society, which still does not believe in equality. Being seduced by shiny gadgets, which are supposed to shorten the work, and to somehow make up for the isolation and fatigue which, no matter how rewarding the partnership, often come with the role. 2005

 

matron warrior

wood, fiber, plaster, paint
h 70" w 23" d 25"

The myth of the “maiden warrior” is often about idealized beauty. When the maiden spends her whole life actually fighting for justice, how do we think of her as she matures? Here she is not ready to retire: prepared to fight if needed, enjoying a well earned rest in the meantime. 2005

 

above chair photographs by Jay York with the exception of Matron Warrior

Family Dispossessed

Objects found at RR tracks near homeless encampment: wood, steel, roofing tar, resin
5’7” h x approx. 4’w x 3’d

Part of a series inspired by people who have experienced homelessness. For history and process see “Kaddish for the Dispossessed” 2007

punctuation series

terra cotta, stains, underglaze, glazes, raku
approx. dimensions: h 3"x l 4" each

Created for a collaborative project with letters, each made by a different artist. So much about our society and the English language is called “generic”, yet is actually male. It seemed that a “woman”s touch’ might be useful, as well as fun. This literal interpretation led to an exploration of the material as well as the concept. 2005

woman with vest

birch, stains
h 67" w 12"

Taking a dead tree, carving and adding color to bring out the qualities that allow us to relate to it differently. 2004